Fear the Walking Dead
Fear the Walking Dead

Fear the Walking Dead

2015 8 Seasons 7.6 Ended

What did the world look like as it was transforming into the horrifying apocalypse depicted in "The Walking Dead"? This spin-off set in Los Angeles, following new characters as they face the beginning of the end of the world, will answer that question.

Trailers & Videos 1

Official Comic Con Trailer

Episodes

A highly dysfunctional blended family is forced together when they realize a reported virus is actually the onset of the undead apocalypse.

While Madison struggles to keep Nick from crippling withdrawal, Travis ventures out to find his son before the city of Los Angeles falls.

After they escape a riot, Travis, Liza and Chris seek refuge with the Salazars; Madison defends her home.

Madison and Travis see different sides of the National Guard's occupation in their neighborhood; the family tries to adapt to the new world.

The National Guard's plan for the neighborhood is revealed; Travis and Madison make a difficult decision.

As civil unrest grows, and the dead take over, Travis and Madison try to devise ways to protect their families.

Cast

Ratings & Reviews

TMDB

7.6/10

5,209 votes

Community

No ratings yet

IMDb
IMDb

Not available

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TMDB Reviews

Dean

Dean

TMDB

6 years ago

3/10

This TV show is a bad copy of the "Walking Dead". First of all it's super boring, especially first 4 seasons. It's so dragging that you will need some extra caffeine to keep up with it or you will fall asleep. Later it picks up a bit, but still suffers from lots of mistakes and one of them is a lack realism. It's very unrealistic. All the kids in this show seem very inteligent, saying deep & inteligent things that normally kids don't do, but in here miraculously they're all wise like adults. Characters all the time argue with each other, one moment hug, then next moment point a gun to each other. They also try to be all wise talking wise and etc... And lastly, there are just plain mistakes that make this show very unrealistic. For example 10 years old girl with her hands tied jumps in the sea and makes it to the shore. How the heck kid can be so super swimmer to swim with no hands and making it to the shore. I wish I wouldn't waste time on this low quality show, but sadly I watched all seasons and I regret. There are much better shows to watch, than this stupid show.

TMDB

6 years ago

I thought this show was and is great but I think sometimes the writers get confused about what's real and what the viewers would imagine what would be real if things were to happen today and being in LA, it gets confusing then slow like a lot of shows where they out of ideas that's why they all slow their 📺 down until they come up with a 🧠 storm or ✂️ the show short and give you a family!

TMDB

1 year ago

Let me preface this by saying that if “Fear the Walking Dead” wanted to prove it had nothing left in the tank—no shred of narrative originality or dimensional character development—it’s certainly achieved that. This spin-off series feels like a rehashed casserole of old “The Walking Dead” plotlines, with an extra sprinkle of stale empowerment tropes that bludgeon you over the head rather than convince you of their authenticity. Don’t get me wrong: strong female leads can be amazing. However, this show’s approach to showcasing female strength feels less like a well-written narrative and more like a ham-fisted exercise in ticking boxes and making every male character look like they’re competing in a marathon of cluelessness.

From the moment the first episode staggers onscreen, “Fear the Walking Dead” seems utterly terrified—ironic, given the name—of allowing its men to be anything but incompetent or flat-out disposable. The female characters dominate every scenario, not by outsmarting equally clever male antagonists or allies, but by virtue of the writing force-feeding us lopsided characterizations. This kind of hackneyed scripting doesn’t highlight feminism; it cheapens it. Rather than craft complex individuals, the show often defaults to lazy stereotypes: men who can’t get their act together and women who correct every ill with an eye-roll and a scornful lecture. It’s less an ensemble and more a joyless, lopsided lecture on how to marginalize half of your cast.

Beyond its gender politics, let’s talk about the plot—or rather, the endless absence of one. The show recycles the same old survival tropes, shuffling from one dead-end location to the next, each encounter feeling like a bad rerun. The characters make bafflingly poor decisions that don’t feel organic or revealing but simply serve the writers’ need to keep a “conflict” going. It’s a never-ending cycle of nonsensical stand-offs, unnecessary melodrama, and forced moralistic moments that have all the subtle...

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