The Prisoner
A man wakes up in a new place - a place he doesn't recognize, a place where people have numbers instead of names, a place called "The Village" where all traces of his former life are renounced as delusions.
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The Prisoner (2009) Trailer
Episodes
6 wakes in the desert, where he sees an old man, 93, and several pursuers shooting at him. 93 is dragged into a cave by 6, where 93 tells 6 to 'go to...
6 struggles to find allies to escape from the Village. 2 introduces 6 to his brother's family to convince him he belongs. As 6 begins to doubt himself...
2 offers 6 the opportunity to become an undercover agent, spying on suspected dreamers. 6 accepts with ulterior motives. He works with 909, who is spy...
The Village Matchmaking Service targets 6, pairing him with a woman, 4–15. 6 recalls 4–15 from a brief encounter with his previous life, shortly befor...
2 has embodied 6's animal desires in an identical double named 'Two Times Six'. 6 must find a way to reconcile himself with his desires or risk being...
6 encounters new arrivals, which contradicts claims that no world exists. 2 shows off new houses, indicating the Village's expansion. This is later re...
Cast
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TMDB Reviews
misubisu
TMDB8 months ago
The Prisoner (2009) Review: A Pointless, Soulless Imitation
To call this 2009 miniseries a remake of Patrick McGoohan's legendary 1967 masterpiece is an insult. It is not a reimagining; it is a defacement. Where the original was a brilliant, surreal, and fiercely individualistic critique of Cold War paranoia and societal control, this version is a tepid, confused, and utterly boring soap opera that completely misses the point.
A Hollow Village, a Hollow Plot
The core premise remains: a man, known only as Six (Jim Caviezel), wakes up in a bizarre, isolated community called The Village with no memory of how he got there, searching for a way to escape the clutches of a manipulative authority figure, Two (Ian McKellen).
And that is where all similarities end. The original's enigmatic, psychological terror is replaced with a plodding, nonsensical mystery box that fails to deliver a single satisfying payoff. The profound philosophical questions—"Who is Number One?" and "Who is the prisoner, who is the jailer?"—are reduced to a literal, laughably simplistic family drama. The revelation of the Village's purpose and its connection to our world is not mind-expanding; it's a contrived and underwhelming mess that feels like the writers wrote themselves into a corner.
A Catatonic Hero and a Wasted Villain
Jim Caviezel's performance as Six is tragically miscast. He spends the entire miniseries with a single expression of constipated bewilderment, devoid of the fiery rebellion, cunning, and raw charisma that defined McGoohan's Number Six. His struggle feels passive, not revolutionary.
The one glimmer of potential, Ian McKellen, is shackled to a woefully misguided script. His Number Two is given a mundane, domestic backstory that drains all menace and mystery from the character. Instead of a chilling, ever-changing adversary representing a faceless system, we get a grumpy suburban dad with administrative duties. It is a catastrophic miscalculatio...
