Brassed Off

Land of bloody hope and glory eh!

Grimley Colliery Brass Band has been going for nigh on a century, but as the town's colliery itself comes under threat of closure due to the drawn out miners strikes, so does the bands very own survival. Giving much relief to a very depressed area, the band are hoping to make the grand finals day at the Royal Albert Hall, could the arrival of Flugelhorn player, Gloria, be just what the band needs? Or is she merely the catalyst to something far more critical?

Brassed Off is the first of what I personally call the Magical British Trio, three films that perfectly portray the British sense of humour during dark depressing times of unemployment. The other two of course are The Full Monty (1997) and Billy Elliot (2000), of which Brassed Off is essentially an appetiser of sorts, the warm up act for the big hitters so to speak. Not to say that Brassed Off is not worthy to sit alongside those well received pictures (home and abroad as they say), it most certainly is, it's just that its blend of humour and strife doesn't find any easy ground, thus making it hard for the undiscerning viewer to be at ease at the right moments. It is in short, unsure of what it primarily wants to be. The humour does work well tho, but it's in the dramatic core of the miners strikes, and the affects they have on the denizens of this quaint colliery town, that Brassed Off truly works, with some scenes literally tugging away at the old heart strings. Then there be the music itself, The Grimethorpe Colliery Band {on whose real life story this film is based} provide the music for the soundtrack, and its most enjoyable, often stirring, and definitely poignant at crucial moments.

The cast are tremendous, Ewan McGregor and Tara Fitzgerald offer up splendid youthful heart, but they are playing second fiddle (or should that be third brass section?) to Pete Postlethwaite and Stephen Tompkinson. As father and son, Postlethwaite and Tompkinson give the film its deep...

A touching drama of a declining mining community in Margaret Thatcher's Britain. Pete Postlethwaite is subtle but forceful in his portrayal of "Danny"; the leader of the Grimley Colliery Band - one of the traditional brass bands that usually accompanied each mine in the North of England, much a there is a choir usually associated with a Welsh one. The story marries the inevitability of the mine closure with the impact on family and relationships throughout this close knit community and uses their band rehearsals as the axis for the plot. Tara Fitzgerald, Ewan McGregor, Philip Jackson and Jim Carter all contribute genuinely to this frequently dryly-humoured ensemble effort and by the end we are all too familiar with Rodrigo's "Concerto de Orange Juice".