The Burial

There isn’t much to dislike about director Maggie Betts‘ “The Burial,” a solid courtroom drama that hits all the expectations of the genre (and sometimes even exceeds them). Inspired by true events, this rousing David versus Goliath story is well cast, well acted, well told, and is set up to be an all-around crowd pleaser.

Mississippi funeral home owner Jeremiah O’Keefe (Tommy Lee Jones) has fallen on hard times. The mom-and-pop business has been in his family for generations, and he aims to have something to pass down to his plethora of children and grandchildren. When a deal with the CEO (Bill Camp) of a heartless multibillion dollar “death care industry” corporation goes South, Jeremiah hires the smooth talking, charismatic personal injury attorney Willie Gary (Jamie Foxx) to help save the family business. The men and their legal team uncover a deliberate web of deception designed by insurance companies to scam poor people out of their money by taking advantage of them in their time of grief. In the process of exposing corporate corruption, Willie and Jeremiah learn that they have a lot to like and respect about each other.

It’s an irresistible story about legal system actually working the way it’s supposed to, and there are a lot of scenes featuring technical lawyer speak. It’s not dumbed down, which is refreshing, and the film features many scenes of legal strategy, brainstorming, and talk about business deals, burial insurance, and racial injustice. Thankfully it’s not as dry as it sounds, as Betts moves the timeline along quickly. She dives right into the lawsuit and the story, not wasting a lot of time setting things up.

Foxx is perfectly cast as a flamboyant attorney, and he’s entertaining to watch in the role. Willie is all about showmanship, and he’s a lawyer with a knack for communicating with common folk. Foxx emotes this with a natural charisma and effortless spirit, and it’s difficult to resist his character’s dazzling charm. Jones doesn’t ha...