Face/Off

It's like looking in a mirror, only, not.

There's a tendency to undervalue the action movie. Certainly there's a wide expanse of land in cinema world where film fans reside, where the thought of praising an action film for being "classic" cinema is considered treason against the very word. Yet some of the artistry involved in the genre's leading lights is purely sublime, regardless of how bizarre and unlikely the plot is. Enter John Woo's berserker, ear splitting, high octane actioner, Face/Off. Rightly sitting along side the likes of Die Hard and Predator as genre pieces that showcase how good things can be when it all comes together, Woo's movie is as much fun as you could wish to have for over two hours of explosive, fantastical, unadulterated cinema.

The plot sees John Travolta's serious family man cop, Sean Archer, devote his life to catching unbalanced maniacal bad guy Castor Troy (Nicolas Cage). There's some bad history between the two and when Archer manages to capture both Troy and his equally vile brother, Pollux (Alessandro Nivola), it would seem to be closure for Archer and his family. However, it's found that the Troy's have left a ticking bomb somewhere in Los Angeles, and if undetected it will flatten L.A. and kill practically everyone. So, Archer undergoes a revolutionary face-swapping procedure with the now comatose Castor and sets about getting the information from the incarcerated Pollux. But wait!, Castor wakes up and turns the tables by assuming Archer's identity, setting the wheels in motion for each man to live the others life until the Face/Off between the pair will decide their respective fate.

Unbelievable? Of course. Who cares? Well nobody should really, because surely going into a film like this one is expecting the ludicrous. Both Cage and Travolta are superbly realising the spectacular nature of the script, and being mesmerising in the duality of the roles into the bargain. Make no bones about it, Woo and his team have crafted...

A quality all-out action film!

'Face/Off' isn't one that'll stick out in my memory as something deep meaning, incredibly written or anything of the sort. However, as an action film it's superb. There's barely a chance to rethink what you've just seen due to the prevalent and manic nature of onscreen events. You also have fascinating performances from the two leads.

Nicolas Cage and John Travolta are awesome in this. I won't spoil the plot, but all I will say is that those two bring it to life brilliantly - it felt, at least to me, very believable; which is impressive. Across the opening portion I thought it was going to be Cage stealing the show, but as things progress Travolta really comes up big to match Cage.

Away from NC and JT, there isn't really anything to scream about cast-wise; although, I gotta give shoutouts to Mike Delfino and Gavin Harris; if you know, you know.

Nothing much more to note, to be honest. The terrific action means I'd highly recommend this.

Never seen a concept for movie this way. They literally trade faces. Good versus evil and not only do they trade faces but there characters and personalities have to change as well. 2 of the best that could ever do it. John turns into Nicholas and Nicholas turns into John. I would say Nicholas Cage played it better then John Travolta did.

“Troy” (Nicolas Cage) is a nasty piece of work, and his latest bombing plot has attracted the attention of FBI man “Archer” (John Travolta). Now he has some personal skin in the game, as his nemesis was responsible for the death of his young son - an event both he and wife, physician “Eve” (Joan Allen) are still coming to terms with. When they apprehend him, though, the boffins come up with an unique plan that will enable "Archer" to infiltrate the terrorist gang and bring them all to justice whilst saving the city of Los Angeles from a grizzly fate. The trick? Well that involves some groundbreaking technology that will change his features from those of his own to those of “Troy”. All he has to do now is master a few of his more nasty character traits and then convince his girlfriend “Sasha” (Gina Gershon) - then he’s home and dry. Meantime, though, the real hoodlum awakens in an hospital bed and before we know it, he has assumed a counter-identity that he knows can not only put the kibosh on “Archer” and his cunning plan, but can enable him to mislead the investigators who are not in on the swap. The one woman who wasn’t read into the plot was “Eve” and so when her ‘husband” turns up as usual, we all know that a game violent and deadly game of cat and mouse is about to ensue. I did like the premise and for a while, with Cage at his most dastardly and then Travolta having a go too, it works quite well. It’s just far too strung out, though, and once serendipity has played a part once too often to help contrive the plot, I found myself losing interest in a story that became increasingly devoid of jeopardy. Moreover, as the story progresses Travolta stops being menacing and starts being hammy whilst Cage’s character strays once too often into the realms of weepy melodrama. The ending(s) take for ever to get us over the finish line, and left me feeling just a bit weary of the repetitiousness of a last twenty minutes that has pyrotechnics galore but little by way of doub...

Score: 9/10 — A Glorious, Unhinged Masterpiece of Maximum Overacting

Some films are subtle. Some films are restrained. And then there is Face/Off a film that takes the concept of "going for it" and launches it into orbit with a rocket strapped to its back. Directed by the inimitable John Woo, this is a movie that operates on a wavelength entirely its own: a gloriously unhinged, operatically ridiculous, and utterly mesmerising symphony of overacting, bullet ballets, and preposterous plotting. It earns a massive 9/10 for its sheer audacity, its commitment to the bit, and the undeniable electricity of watching two of Hollywood's most committed performers at the absolute peak of their powers.

The Premise: So Ridiculous It's Genius

The plot is, on paper, absurd: FBI agent Sean Archer (John Travolta) undergoes a radical facial transplant surgery to assume the identity of his arch-nemesis, the terrorist Castor Troy (Nicolas Cage), only for Troy to wake up and assume his identity. It's the kind of premise that could only exist in the fever dream of a 90s action movie, and John Woo directs it with absolute, straight-faced sincerity. The result is not just entertaining, it's transcendent.

Travolta and Cage: Overacting and Hamming It Up Like Only They Can

This is the film's beating heart and its greatest achievement. Travolta and Cage overacting and hamming it up like only they can. They don't just play their roles; they attack them.

- John Travolta as Sean Archer / Castor Troy: Travolta gets to play both hero and villain, and he chews the scenery with a relish that is genuinely awe inspiring. As the uptight, grief-stricken Archer, he is intense and brooding. As Castor Troy trapped in Archer's body, he unleashes a wave of gleeful, sadistic chaos—smirking, swaggering, and delivering lines with a devil-may-care energy that is pure, unadulterated joy. He is having the time of his life, and it's infectious.

- **Nicolas Cage as Casto...