The Tiger of Eschnapur

A German Architect goes to northwest India to meet the maharajah… and a dancer

This is the first of Fritz Lang's duology referred to as his Indian Epic; the second part being "The Indian Tomb,” which was released later the same year, 1959. Both films were heavily edited down into a 95-minute movie for American audiences called "Journey to the Lost City" and released the following year, which heavily trimmed Debra Paget's iconic dance sequences due to the Hays Office.

Anyone who likes adventure flicks such as “Princess of the Nile,” "Legend of the Lost,” "The Vengeance of She,” "Raiders of the Lost Ark,” "Octopussy" and “Indiana Jones and the Temple of Doom” should appreciate either installment of the Indian Epic, although the second part’s noticeably superior (as detailed below). They feature spectacular palaces, heroes, villains, rivalry, danger, swords, beautiful women, romantic passion, elephants, tigers, snakes, torches, caverns, dungeons, temples, honorable monks and all-around high adventure.

Each includes a 3-minute dance scene by Debra Paget as Eurasian Seetha, both equally well done, but the sequence in “The Indian Tomb” features her in more revealing (non)attire. I prefer the sequence in this one, which was obviously borrowed from the same in “Princess of Nile” five years earlier. Debra's performances are just as good or better than Brigid Bazlen’s routine in "King of Kings" and Salma Hayek's in "From Dusk Till Dawn.”

Believe it or not, Seetha’s servant, Bharani, is played by none other than Luciana Paluzzi, who went on to fame as Fiona in “Thunderball” six years later. Speaking of James Bond, there’s a tiger-fighting sequence in the last act in which Paul Hubschmid glaringly prefigures 007, three years before the suave Bond would make it to cinema with “Dr. No.”

Unfortunately, I found this first part of Lang’s duology disappointing compared to the second part. It’s more subdued and all around less compelling, yet it clearly influence...