Moonraker

THE BIGGEST BOND OF ALL!

Moonraker is a joy from beginning to end. Huge spectacle, stunning locations, lashings of humour, superb stunts, sexy ladies, a despicable and memorable villain, great special effects and of course, the legendary Sir Roger Moore as James Bond.

Elements of You Only Live Twice - spaceships swallowing spaceships - are expanded upon here and Moonraker fits right in with the classic silliness that the Bond franchise has always embraced.

It's a shame that the 2006 reboot threw it all away and chose to run away from being Bond films.

One of the best of the Moore era

I steered clear of “Moonraker” (1979) for years because critics almost unanimously said it was awful. So when I finally sat down to view it I fully expecting a dog. Wrong! “Moonraker” is thoroughly entertaining from beginning to end and is one of the best of Roger Moore's 7-movie stint in the series.

The plot revolves around 007 investigating Hugo Drax (Michael Lonsdale) after a space shuttle on loan to the British is stolen. James slowly discovers that Drax has a mad scheme to recreate a race of perfect human specimens. The giant Jaws (Richard Kiel) returns from “The Spy Who Loved Me” (1977) as Bond teams-up with the beautiful Dr. Holly Goodhead (Lois Chiles). The story climaxes with a spectacular battle at Drax' space station.

Everything in “Moonraker” is over the top: The locations, the action, the villainous scheme, the humor, the seriousness, Jaws and the space finale. This works fabulously because Bond films were never meant to be deep, thought-provoking pieces of art, but rather grandiose pieces of thrilling eye candy with an amusing sense of the absurd.

One thing that I demand in any Bond adventure is great globe-trotting and spectacular locations. This is one of the reasons I consider “License to Kill” (1989) weak, but “Moonraker” delivers in spades! The film starts out with breathtaking scenes high above Napa Valley, California, as Bond engages in a thrilling sky-diving duel. From there we get France, Venice, Rio De Janeiro, the jungles of Brazil & Guatemala and the spectacular Iguazu Waterfalls, Argentina.

Lois Chiles is one of the more beautiful and competent Bond "girls." Of course her name, "Dr. Goodhead,” is ludicrous in the tradition of Pussy Galore and Chew Mee. Meanwhile Drax is a formidable, serious nemesis contrasted by the cartoonish villainy of Jaws.

The film works on every level in entertaining the viewer but, depending on one's tastes, some people may have a cavil or two. For instance, many...

Now my geography isn't great, but I am not sure you can actually fly from the Yukon to the British coast in fifteen minutes! That's how this outing for Roger Moore begins, and it's symptomatic of the rather weak storyline and sloppy production that seems intent on getting "James Bond" to capitalise on "Star Wars" (1977) fever. Anyway, a space shuttle is stolen and "007" is sent to visit gazillionaire industrialist "Drax" (Michael Londsale) who lives in a genuinely imported French chateau in California. A dizzying experience introduces him to "Dr. Goodhead" (Lois Chiles) and pretty soon the pair, after a bit of a sticky start, are trying to find out what happened to the missing spaceship and to thwart an ingenious plan to replace the population of the planet with an Aryan-style perfect race. Everyone here just looks tired. Lonsdale tries hard to inject some sort of menace but the rest of it lumbers along in an episodic fashion with a couple of set-piece escapades that are frequently let down by poor visual effects (the dogs eating the steaks, or the gondola chase - where they have clearly just speeded up film...). John Barry and Hal David delivered another number for Shirley Bassey and, indeed, the score provides quite a bit of the humour with nods to "Close Encounters" (1977) and the "Magnificent Seven" (1960) but the rest of this is really mediocre. Usually there are a few scenarios in a "Bond" film where he implausibly survives almost certain death, but here he seems to constantly lurch from the frying pan to the frying pan time and time again - with the newly loved-up "Jaws" (Richard Kiel) really failing to inject much menace as we head into outer space for our colourful, but rather silly, denouement. The franchise is running out of steam, and needs a serious reboot.

They can't all be winners.

I mean, yeah it was action packed and the fight over the parachute was really cool. And Bond did have space elements in the movies before... but Moonraker kind of felt like it was jumping the shark a bit here.

Thankfully it recovered, but this was a little too much for a 007 movie. And that is saying something because, when you go see a 007 movie you expect it to be a little too much from the start.

This has the great 007 elements, but misses a bit. We get the wit, we get the beautiful women, we get the gadgets, we get the non stop action, and we even get Jaws, a fan favorite, back. Jaws even gets to speak. Maybe it was in the contract. What is missing is the exotic locations and beautiful scenery. We do get outer space and jungles and water, but we don't quite get the exotic beauty that makes Bond films so spectacular. While the cinematography is not as good as others in the hay day, it does still beat the 21st century Bond movies which are so dull. Here, the victim is a maniac intent on genocide. His plan is insane, but he's a tycoon and that just makes him "eccentric" to other VIPs. The big scene is possibly during a festival, when Bond is accompanied by a beauty who keeps lookout while he goes into a building. The beauty notices a tall masked character edging ever closer to her. There's also the space battle, which doesn't work as well as the underwater battle of Thunderball, but it isn't bad. The direciton is pretty solid. It's just not a great milieu for a cinematic battle. All in all,it's an exciting film that gets hate from those who are jealous of entertainment that works, but it isn't in the top five. I rank it 7th greatest of the Bond films. Sometimes, I rank it 8th or 9th, but it keeps in that vicinity.

Moonraker is another guilty pleasure Bond film, that with all the camp is still quote a serious film.