Darkness Waits
Five college students embark on a paranormal investigation of Dead Woman’s Hollow Road, a hub of mysterious deaths and strange phenomena along the Appalachian Trail. The probe turns deadly when people in their camp begin dying. For those still alive, their only hope for survival is a wet behind the ears Sheriff who must come to terms with the fact that the darkness surrounding his quiet town isn’t supernatural, but an evil that’s very real.
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TMDB Reviews
4 weeks ago
There’s a killer on the loose near the Appalachian Trail in south-central PA
This is a sequel to the 2013 indie “Dead Woman’s Hollow,” but it’s also a stand-alone flick, which is why the creators didn’t dub it “Dead Woman’s Hollow 2.” I haven’t seen the first film and have no interest in doing so (based on the trailer), yet it didn’t hinder my appreciation of this one at all.
Charles Dawson played Sheriff Ward Hatsley in the prior movie and returns, albeit ousted from his position and sort of a conspiracy theorist living in a house in the sticks. Waylon K. Smith also returns as Buck, but transfers from deputy to sheriff, albeit on a probationary basis. Most of the cast had only dabbled in acting when this was shot, except for Scott Schiaffo as the smooth-talking mayor. I should add that the director appears in a small role as deputy Fern.
The movie starts off as a typical cabin-in-the-woods type horror flick with a group of five college students venturing into the infamous area, led by Jess (Emily Whitcomb), who’s the only one serious about the student-documentary detailing the slayings in the area with a possible paranormal aspect. The other four are party animal college types with Jenny Jannetty effective as the oversexed girl-next-door Megan.
The first hour is serviceable for this type of fare, but fairly typical. It’s the last act where the film’s brilliance emerges with a well-thought-out script and actors who pull off the material for micro-budget fare. So, please resist any temptation to bail in the first hour. The focus shifts from the “party animals” in the woods to the new sheriff, the loner ex-sheriff, Jess’ fate, the mayor, and peripheral officials. Suddenly the movie becomes an interesting commentary on life in a fudged-up world with quality insights on govt coverups, the liberal media, suspicious conservatives, the undergirding spiritual war, occupational integrity, the idea that “no one is innocent,” and so forth.
In short, the la...