Coyote Ugly

An excuse to make a film full of women swaying seductively without a hint of softcore.

What can we say about a romantic film, with light touches of comedy, that spends most of its time showing us very attractive women in tight, short clothes, and bouncing around sensually in an atmosphere of mockery and debauchery worthy of a university graduation party? A lot of things. What leaves us no doubt? It is a film made with an openly and openly heterosexual audience in mind. Released in 2000, I don't know if the film would be possible today without being immediately accused of sexism and giving a stereotypical and sexualized image of women.

Let's start by talking about the good things. One of them, perhaps the best, is the extraordinary soundtrack, which compiles excellent songs into one of the best non-original soundtracks of the decade: “The Right Kind of Wrong” and “Can't Fight the Moonlight” are so good that the entire we know them. The music is so important here that, in a sense, it is more of a music video than a film: the protagonist is an aspiring songwriter who tries to make it in the music market without much success, but who discovers that she sings well and becomes one of the main attractions. of a nightclub.

The scenarios are convincing enough for us to believe them, especially if it is known that there really is a bar of this type in New York (in fact, it seems that others in the same franchise have already opened). Even so, there is so much exaggeration at parties that it is, in my eyes, difficult to believe in a certified and legal commercial space. Minimally decent editing, but sometimes lax, and cinematography that relies too heavily on red tones complete, on a less positive note, the more technical aspects of this film.

In addition to the good songs, we have the beauty of the cast, with young and slender actresses, who make up for their inexperience with fantastic bodies and good dancing skills: Piper Perabo, Maria Bello, Tyra Banks, Iza...

COYOTE UGLY IS AWESOME

'Coyote Ugly' is solid cheese and I'm here for it. There's nothing all that noteworthy to say about this, you'll either enjoy it or you won't; I doubt there's much middle ground. For me, it works. It's well paced and well acted, the music is well chosen too - s/o LeAnn Rimes.

I'm pretty sure I've seen this before when I was younger, so long ago that I hadn't had it logged on here. I can't say I totally remembered it whilst watching, though many of the scenes did feel familiar and I recalled the main cast. Speaking of which, Piper Perabo is good as lead. Maria Bello, John Goodman and Adam Garcia are also solid.

Just discovered that this has the same director as Kangaroo Jack. David McNally really made these two classics and ducked out of the industry, what a rockstar.