Midnight in Paris

Really nice movie, done with a great delicacy.

Worth watching to get in love with Paris but it is also a great story of self knowledge and evolution.

Magnificent, it is a love declaration for Paris.

With this film, Woody Allen makes, in the background, a love declaration for Paris, a city he already knows very well and for which he seems to feel a great affection. In addition to the beauty of the city, especially in the opening sequence, the script revisits the history and importance of the French city, as a meeting point for artists and writers.

The film begins very well, introducing us to an American engaged couple who came to Paris on their father's business trip. From the start they seem a bit strange: she is quite frivolous and seems to feel that she is doing him a huge favor by marrying him, and it is perfectly obvious that her parents do not approve of the match; in turn, the young man is an aspiring writer who has grown tired of making Hollywood screenplays and wants to dedicate himself to writing and stay in Paris, ideas seen with disdain by the bride. However, everything will change when, after a disagreement, he walks back to the hotel and ends up having a meeting with a series of famous artists and writers from Paris in the 1920s: Scott Fitzgerald, Ernest Hemingway, Picasso, Dali, Buñuel, Gertrude Stein and others. That is, the film starts from a basic romantic comedy situation and creates a story where time travel ends up happening in a way that seems like the character is just dreaming, or in an illusion.

Owen Wilson was impeccable in the lead role and gives us one of his best serious performances, which is no small feat. He is credible and convincing. Equally pleasant and sympathetic is Marion Cotillard, who gave life to the “soul mate” of Wilson's character, a dreamer and idealist who would rather live on a page of the past. In addition to being smart and sensitive, she is beautiful and attractive. Kathy Bates, Tom Hiddleston, Alisson Pill, Corey Stoll and Marcial Di Fonzo have given life to a series of artists and writers, each of whom played their part with aplomb and care. Rachel M...

Midnight in Paris (2011) Review: A Magical, Melancholy Love Letter - 8/10

Midnight in Paris is Woody Allen in his most enchantingly wistful form. It’s a film that operates on a premise of pure, unadulterated fantasy, yet it resonates with a profound and universal truth about nostalgia and the eternal human temptation to view another era as a "golden age." Perfectly directed, it balances whimsy with a sharp, intellectual core, resulting in one of Allen's most beloved and accessible late-career triumphs.

The Premise: A Portal to the Past

Owen Wilson plays Gil, a disillusioned Hollywood screenwriter and aspiring novelist on a trip to Paris with his dismissive fiancée (Rachel McAdams) and her conservative parents. Feeling out of place in his own life, he romanticises the 1920s as the pinnacle of art and culture. Then, the magic happens: at the stroke of midnight, a vintage Peugeot picks him up and transports him to the very era he idolises, where he rubs shoulders with the Fitzgeralds, Hemingway, Picasso, and Gertrude Stein.

A Perfectly Cast Gil

I often find Owen Wilson's performances a little hollow, but this one was rock solid. ** This role is a career-best for him because it harnesses his inherent qualities — the laid-back California cadence, the boyish wonder, the slightly scattered charm and makes them central to the character. He is not trying to be a classic Woody Allen surrogate; he is Gil, a genuine romantic lost in time. His wide-eyed, earnest disbelief is the audience's anchor into the fantasy. We believe his awe when meeting Cole Porter and his desperation to have his novel validated by Gertrude Stein. It's a performance filled with heart and vulnerability, making Gil a truly empathetic guide.

Strengths and the Missing Points

The film's greatest strength is its intoxicating atmosphere. Paris is filmed as a dreamscape, glowing in the day and shimmering with mystery at night. The parade of historical figures is not jus...

"Gil" (Owen Wilson) has made a decent living as an Hollywood script writer when he comes to Paris with his fiancée "Inez" (Rachel McAdams) and her parents - but writers block is poleaxing his first novel. Pretty immediately he falls in love with the city, but she doesn't really share his romantic attachment to the place and is certainly uninterested in them living there after their forthcoming wedding. She goes out for a night on the tiles with her rather supercillious ex-boyfriend "Paul" (Michael Sheen) and his new gal "Carol" (Nina Ariandra) so he goes for a wander around the place at midnight and that's when he begins to imagine what life would have been like back in the roaring 1920s - when this was a city of enlightenment. He gradually finds himself drawn into a world where he enjoys the café culture with the likes of Cole Porter (Yves Heck), Mr & Mrs F. Scott Fitzgerald (Alison Pill & Tom Hiddleston), Ernest Hemingway (Corey Stoll) and even Gertrude Stein (Kathy Bates) whom he contemplates being the ruthless critic of his hitherto constipated work-in-progress. He begins to regale "Inez" with his tales and she thinks he's got some sort of brain tumour and that he has well and truly lost the plot. Sure, she gets something of the sparkle of the city but she's not in his league as he loses his soul to a place that just oozes people like Picasso and Dali and that provides his ideal utopian location both creatively and spiritually. It's told episodically, so the timelines do advance and the characters change as his imagination ingratiates himself more into their lives (and loves) and that chapterisation allows for some scene-stealing cameo roles from the likes of Bates, Adrien Brody (Dali) and Marion Cotillard who adds enormous richness to the dreamy yet poignant substance of this film. Now obviously they couldn't all have been there at the same time, but it's that poetic licence that stimulates his imagination - and our's too. My flaw? Well Owen Wilson just hasn't...