Lord Love a Duck

The early nineteen sixties were the great age of black comic satire in American cinema. Everyone remembers Doctor Strangelove and The Nutty Professor and Lolita and One Two Three and The Loved One.In a sense, this neglected masterpiece was the culmination. Even though Axelrod wasn't a genius like Kubrick or Wilder, this film hits its target just as unerringly. Think of it as a darker, much more savage Rushmore, in which almost all the false Gods of our civilization - phony preachers, psychoanalysis, public "education",consumerism, youth 'culture',- are weighed in the scales and found wanting. Roddy Mcdowall and Tuesday Weld give two of the great comic perfomances. Indeed, Mcdowall is inspirational to any would-be anarchist. Should be seen - and discussed - more often. Scorsese once listed this film among his "guilty pleasures": He has nothing to be guilty about-this is wonderful

Eccentric spoof of mid-60’s culture with Roddy McDowall and Tuesday Weld

RELEASED IN 1966 and directed by George Axelrod, "Lord Love a Duck” is a quirky satirical comedy/drama about a nonchalant student prodigy (Roddy McDowell) fascinated by a fellow senior girl (Tuesday Weld), using his preternatural gifting to grant her dubious wishes. Lola Albright plays the cocktail waitress mother of the girl while Harvey Korman is on hand as the principal. Martin West plays the girl’s eventual beau and Ruth Gordon his mother.

This is a wide-ranging satire of teenage culture in the mid-60s with targets ranging from 60’s beach flicks to marriage/divorce to progressive education. It’s uniqueness and quirkiness is its strength. The closest comparison would be a melding of “Village of the Giants” (1965) and maybe “What’s New Pussycat” (1965). The film jumps wildly about from comedy to satire to drama to tragedy to black humor. The only real negative is that it was inexplicably shot in black & white, which is absurd for a mainline pop flick shot in 1965.

McDowall was 36 during filming playing a high school senior, which he pulls off because of his youthful looks and the B&W photography tended to hide his age. His character, Alan “Mollymauk” Musgrave, is intriguing and comes across as a mixture of Svengali, Professor Higgins and Faust after his bargain with Mephistopheles. Some have described Mollymauk as a nerd genius. While he’s obviously a brain, he’s not a nerd because he’s too cool, confident and aloof, almost condescending to those he considers lesser than him, which just happens to be everyone, teen or adult.

The tagline for the film is: "It's about a man living in our insane world who suddenly goes stark raving sane and commits mass murder." What brought about the downfall of this extraordinary individual? His obsession with the beautiful-but-shallow Barbara Ann (Weld), whom he had the power to grant every whim, but couldn’t make her love him. Being a virtuoso...