Teenangel

From the Golden Age of Porn (the 1970's) comes a San Francisco-based story with an all-wrong title and a hilarious coda. Jim (Frank Ford) and virgin Sharon (Sharon Demsted) are recently married. They move into a creaky walk-up apartment, and Sharon plays the dutiful housewife waiting for her mechanic husband to get home. One day, when Sharon is out buying groceries for what seems like the hundredth time, Jim sleeps with Kim (Melba Bruce), a newspaper girl who had come to collect on the month's subscription rate. Sharon walks in on them, calls a cab, and disappears from the movie. Jim's best friend, Vietnam War buddy Pete (Link Beemer), then invites Jim over with a proposition. We find out Sharon attempted suicide, Jim was fired, and now he's hard up for money to pay the hospital bills. Pete has a foolproof bank robbery plan ready to go, as soon as they have sex with a couple of Pete's prostitutes (Desiree West and Georgette Teaps). A transistor radio fills in the rest of the story.

I don't want to give too much away, but what transpires in Pete and Jim's bank robbery had me laughing out loud. It is hilarious, and what happens to all the characters after this film is over might have made a better story if an unrealized sequel had been made. Miller's direction is odd for a porn film, his shooting of the sex scenes is standard, the editing is not very good, but out of nowhere will appear an over-the-head shot, or interesting juxtaposition in the group sex scene. At first, the choice of music had me believing there was some thought put into it: when Jim and Sharon first make love on their wedding night, the orchestral score transforms into dirty-sounding porn music. I thought maybe the film makers were saying something about what was happening to Sharon, but I was wrong when another piece of music was introduced in a sex scene. Do you want to know what the unsexiest porn music I've ever heard is? Mike Oldfield's "Tubular Bells" from the horror film "The...