The Batman

“The Batman” Is A Very Engaging And Unforgettable Tale That Is One Of The Best Adaptations Of The Character Ever

In 1989 Michael Keaton was seen as a very controversial choice to wear the Cowl of Batman but soon proved his doubters wrong by turning “Batman” and its subsequent sequel “Batman Returns” into massive Box Office success before leaving the cape behind.

While four other actors have taken up the cinematic version of the character in the subsequent years, Keaton has remained for many the Gold Standard with Christian Bale likely being his biggest rival.

When Robert Pattinson was named as the new Batman, there was interest but concern as an actor who is largely known for playing Edward in the “Twilight” films seemed to be an odd choice. However, I would say that anyone who has seen some of his recent work including his performance in “The Lighthouse” would be playing him a disservice by saying he was not up to the part.

In “The Batman”, audiences are given a darker and more broken Bruce Wayne, an Emo recluse who is far from the Socialite he has been portrayed as for decades and a very sullen and withdrawn individual who does not exude charm or grace and even shows issues making eye-contact.

When the Mayor of Gotham is killed shortly before the election by a mysterious individual known as “The Riddler” (Paul Dano), the vigilante known as “The Batman” is called in to help the police by Lt. James Gordon (Jeffrey Wright). Gordon has been working with Batman for some time but it is clear that his association with him has not won him any favors with his fellow officers, many of which openly question his use and involvement in the crime scenes.

Further complicating matters are clues left at the various crime locales that are addressed to The Batman and cause many to believe that he may be working with the very killer they are attempting to stop.

As the investigation unfolds, the seedy side of Gotham City comes to light in the form of a missing gi...

The reviews and hype for this movie were massive! Comparisons to The Dark Knight got my expectations high... probably a little too high. I was expecting to be blown away and was not but even with that being said The Batman is an exceptional film. The cinematography and visuals are stunning. Matt Reeves made some genius creative choices among which were the more reclusive rockstar grungy Bruce Wayne and the Riddler being heavily influenced by the Zodiac. The acting was fantastic as well with Zoe Kravitz and Paul Dano offering some standout performances. The Batman is driven with psychological and mystery focus as compared to the action comedy style of most superhero movies. My only complaint is that the mystery felt fairly predictable. I wasn't surprised by any of the twists and turns. Ultimately, this was a wonderful addition to the Batman franchise and I can't wait to see where it goes next.

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-batman-spoiler-free-review

"The Batman deserves all the hype it generated and then some. Matt Reeves delivers a distinctly darker, more intense, frighteningly realistic noir thriller than past adaptations, with an aggressively vengeful Bruce Wayne / Batman and a fear-inducing, mysterious, lunatic Riddler.

Greig Fraser's cinematography - bone-chilling "ins-and-outs" of Batman and stunning footage of Gotham - and Michael Giacchino's score - genuinely addictive, elevates the entire film - make this adaptation the best-looking and best-scored cinematic version of the Batman ever.

Even with the narrative focus on the detective work, the action sequences are exhilarating and beautifully shot. The entire cast is extraordinary, especially Paul Dano and Robert Pattinson - the latter destroys all skepticism around his talent.

Apart from a short period at the end of the second act, the three hours fly by. It's one of the best movies of the year and a fair contender in the debate of best comic book movie of all-time."

Rating: A

Paul Dano and Colin Farrell are extraordinary, but The Batman is a three hour slog through Gotham that culminates with an over exaggerated riddle that isn’t worth solving. Having Batman and Jim Gordon both speak in raspy, whispery grunts feels excessive as does Gordon’s insistence on calling Batman, “Chief,” every time that they’re together. The film deserves credit for prominently shining the spotlight on the underbelly of crime in Gotham, but the storytelling in The Batman is a lot like Bugs Bunny meaning to have taken that left turn at Albuquerque; a meandering foray down a dark rabbit hole that isn’t entirely necessary.

Full review: https://hubpages.com/entertainment/The-Batman-2022-Review-When-is-a-Bat-Not-Quite-a-Bat

Masterpiece. Best DC film yet

"Our scars can destroy us, even after the physical wounds have healed. But if we survive them, they can transform us. They can give us the power to endure, and the strength to fight."

Ever since it was announced that Matt Reeves was going to direct The Batman after Ben Affleck stepped down for personal reasons, I had no doubt he was going to put on one hell of a masterpiece. This is the definitive live-action Batman. An epic 3-hour film noir that delves deep into comic lore of Gotham City.

Robert Pattinson perfectly embodies both Bruce Wayne and Batman. I love the character arc he goes through, realizing Gotham doesn't need vengeance to heal, but hope. Zoë Kravitz plays a phenomenal Selina Kyle, you actually feel her emotions throughout the movie. Another plus is that she actually feels integral to the plot (unlike The Dark Knight Rises). Paul Dano is a terrifyingly realistic interpretation of The Riddler, using the internet to gain a fan base for his sick games. Andy Serkis plays an excellent Alfred, being Bruce's emotional support during Dark times.

The soundtrack by Michael Giacchino is absolute God-Tier. Elevating every scene with emotion and sometimes dread. Finally a score to rival Danny Elfman's iconic score. Matt Reeves direction is impeccable as always, getting some nice shots while also making it feel nice and claustrophobic around Batman.

Overall, a God-Tier Batman movie that I can't wait for the Cinematic Universe that's being made around it as I type this.

It's a cracker, no doubt about it!

Matt Reeves did a great job with 2022's 'The Batman'. It's difficult not to compare this to other Batman films, though that's DC/Warner Bros. fault for featuring him so much in recent times. I'll get this out the way early: I'd say 'Batman Begins'/'The Dark Knight' are superior, not by much, which is a similar case for the character performances too.

Robert Pattinson is a terrific Bruce Wayne, though Christian Bale still edges him out in my eyes. Zoë Kravitz is probably the best Catwoman I've seen, though the rest - from the Riddler to Penguin to Alfred - have been portrayed better; aside from Commissioner Gordon, with Jeffrey Wright being excellent. Paul Dano is the least enjoyable performer, for me, here, I found his showing to be a bit 'meh' - effective, but meh. Barry Keoghan makes a cameo, I won't say as who, but I don't hold high hopes for him in that role; though, apparently it won't be anything that happens anyway. For the best!

Anyway... the above sounds way too negative - as I did thoroughly and absolutely enjoy this film, hence the very positive rating. The pacing is very good, the cinematography is brilliant (Gotham looks fantastically bleak!), the story is engrossing and the dialogue is on point. The scenes with Pattinson/Kravitz and Pattinson/Wright are my favourite moments. It's a film that I'd consider as 'outstanding'.

It'll be cool to see what Reeves does with this trilogy (should it happen, of course).

I like how Batman is depicted with a naive and loser POV from his rich high tower, a rich trust fund baby called out by both sane (Catwoman) and insane (Riddler) people while he remains oblivious until the consequences are literally flooding the city. While he uses the idea of Batman as a mantle for him to process trauma, his obliviousness to his own celebrity status and image creates unintentional side effects from his parents' death hogging the spotlight away from the people that mattered to his own nebulous idea of "vengeance" being co-opted by the goons, a heel-turn realization that eventually changes the rack focus, ultimately leading to a wider perspective and a selfless act of cutting the cord and helping others. Hope is more important than his idea of justice, in the end, empathy being the missing piece throughout. Instead of being a voyeur like Riddler during his master plan (Riddler binoculars on the mayor, Batman binoculars on Catwoman), he switches to being on the ground to help, no longer from his high castle.

It's interesting how this arc plays out. At the beginning, it plays into this "badass" idea comic book fans love to gloat about Batman of striking fear into crime, but the way it's portrayed is frightening to everyone. It's a better criticism of Batman's fascism than BvS was going for, showcasing his fear to people who don't even deserve it, such as kids doing vandalism who probably believe the system is failing them, but to him at the beginning crime all looks the same.

Honestly this film goes harder than Phantasm on the tragedy that is Bruce Wayne. They're inseparable by choice, to the point that Bruce basically is Batman even when not in the costume, a social recluse who can barely function in real life, listening to emo music and having rings around his eyes, a night owl to the extreme. The struggle is there even as Batman, literally smashing his face on a truck.

There are some contradictions throughout thematically, however. It's wei...

This film is so intricate, there's so many details, things you can obverse on multiple watches and not have noticed on your first. There's a lot of things that just aren't spoken that give this film so much substance. So many layers and nuanced story telling. Gotham City feels as it should, as it's own character and a visceral cesspool of corruption and just dirt. It feels dirty, unpolished... it's amazing.

There's so many shots in this film that are just simply breathtaking and intentionally dirty. It helps capture this visceral tone and fits substantially well with the universe of Batman.

Being a diehard fan of Batman for, like, pretty much all of my life- I have to say; Matt Reeves absolutely nailed it with a completely faithful adaptation of Batman. Not once in this movie did he do something I felt was completely out of character and Robert Pattinson solidified the performance of both Bruce Wayne and the Batman. I love Matt Reeves went to the extent to make sure this Batman doesn't kill, as other directors have seem to give less care to. Yes, even Nolan. It should have to go without saying that Batman does not kill, that's a no-brainer, but for decades this has been a problem in Batman films... and finally, it no longer is a problem. That's how you do it.

Bringing this review to a conclusion, this is easily my favourite Batman film. So many things about this film just feel like it's pulled straight out of a comic book. I mean, Riddler flooding the city itself is pulled straight from Zero Year and there's so many nods to comic moments and members of Batman's rouges gallery. Matt Reeves knew what he was doing, and he crafted this film for diehard Batman fans, succeeding immensely. Can't wait to see more of this universe.

Enormous mass that is per se a riddle. Forget screenplay, it's a comic storyboard; Do you remember Rorschach, from Moore's Watchmen, ruminating in the sewers?, ok, transpolate Batman and it works! No way, here I go-monologue and comic dialogues (effective and practical like instant soup, with 2 percent protein), comic narration, that is functional, utilitarian, Bentham would say, with the ellipses and any speech or reasoning that requires 2 minutes of reflection, at most!, ""this whole city´s gonna come apart" says a District Attorney, scenic cuts and messy complexity...-entertaining but messy-comic, etc, ...it is a comic turned into a movie by someone who - I'm speculating, any resemblance to reality is purely by chance - was advised or made, or made comics in his life, don't you believe me? Ellipsis of all ellipses: "Alfred, you're not my father "At 23 minutes of tape, all the conflict of identity and belonging, as well as the purpose of the hero, under the sieve of the most selfish and mean son of millionaires, but let's forget this, let's continue. A Batman beating Kurt's velvety drum Cobain, -didn't tell the subversive c revolutionary adence of Cobain, to think like that I would have to know that grunge swept hardrock -finally in the 90s- and buried Motley Crue, Guns and Roses and others, (yes, I mentioned him, Cobain, and not Nirvana that did not exist, that's why when we die we are left without this specific type of grunge, I already digressed, anyway) but yes, this Batman is doubly omniscient, an ego the size of Gotham City authorizes him (a) not only to -his first omniscience- speaking in the first person of himself when running the plot, that is to say in the events, "I am revenge" he says to the subway gang members, (scene that is not better than Todd Phillips' Koker subway, for give another example) that this happened -the first person- almost in all the other versions that precede it,it is also included here -its omniscience, obviously- dominating for...