The Social Network
The Social Network

The Social Network

2010 2h 1m 7.4 Released

In 2003, Harvard undergrad and computer programmer Mark Zuckerberg begins work on a new concept that eventually turns into the global social network known as Facebook. Six years later, Mark is one of the youngest billionaires ever, but his unprecedented success leads to both personal and legal complications when he ends up on the receiving end of two lawsuits, one involving his former friend.

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Eduardo Saverin Learns The Truth About His Faceboo...

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TMDB

7.4/10

13,300 votes

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TMDB Reviews

A

Andres Gomez

TMDB

12 years ago

7/10

Eisenberg was probably born for this role.

The story is well threaded and you don't get bored until the end. A decent movie.

M

Manuel São Bento

TMDB

5 years ago

9/10

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com

Here we go with the fourth review of a David Fincher's film this week, in preparation for the upcoming Mank, directed by the same person who delivered phenomenal movies like Se7en, Fight Club, Zodiac, and more. Now, it's time for The Social Network, which premise can be summed up in "the story behind the creation of Facebook". Ten years have passed since its release, and the real Mark Zuckerberg already stated that most of the film is based on fictional events and conversations. Truth is, this movie was never marketed as a true story, but yes as an adaptation of Ben Mezrich's 2009 book The Accidental Billionaires. It's a film like any other, not a detailed account of whatever happened in real life.

With that said, this is easily one of the best adapted screenplays of all-time. Aaron Sorkin, the man behind one of the best movies of 2020 (The Trial of the Chicago 7), demonstrates his incredibly talented writing skills in The Social Network, proving that he's one of the most meticulous writers working today. If you've been reading my previous reviews, there's a couple of compliments I keep giving to Fincher, which are his extreme attention to detail and his impressive dedication to the narrative he wants to tell. So, what happens when you put together two of the most perfectionist filmmakers ever? An award-worthy, "best of the year" contender arises from their gifted minds.

There's not even much to discuss besides the narrative itself since this is, by far, the aspect that elevates the whole film. Jeff Cronenweth, who previously worked in Fight Club, brings out Fincher's trademark realistic look and feel through his simple yet powerful cinematography. Trent Reznor and Atticus Ross' original score is packed with little effects that resemble computer sounds, making it quite addictive while also increasing the movie's energy in the most exciting sequences. Finally, j...

CinemaSerf

CinemaSerf

TMDB

2 years ago

7/10

You have to wonder whether Mark Zuckerberg would ever have liked this career defining portrayal by Jesse Eisenberg? His character comes across as an arrogant ass of a man who is prepared to chuck just about everyone under the bus in order to get his original concept of an inter-connected network that enables folk to chat with each other in real time online. He is fed the germ of the idea by the Winklevoss twins (Armie Hammer) and using $1,000 from his best (and only) pal Eduardo Saverin (Andrew Garfield) is soon well on the way to developing "Facebook". That comes to the attention of the savvier Sean Parker (Justin Timberlake) but it's pretty clear that he and Saverin are no match made in heaven. As the story progresses, the personalities are quite sensitively and intensely developed as ambition takes over and Zuckerberg finds himself more and more isolated. Eisenberg is really quite effective here. His portrayal of a man who is fiercely intelligent, sarcastic and focussed is quite compelling to watch - even if it does, frequently, make you want to shoot him. Garfield, too, works well as the almost diametrically opposite sort of character who only towards the end realises he is being played and institutes the legal proceedings around which the entire biopic is based. There are so many NDAs involved to know the extent to which this might be true or just speculative, but Aaron Sorkin is at his writing best and David Fincher likewise in the director's chair as we are introduced to an embryonic industry riddled with selfishness and innovation.

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