New York Confidential
New York Confidential

New York Confidential

1955 1h 27m 6.0 Released

Story follows the rise and subsequent fall of the notorious head of a New York crime family, who decides to testify against his pals in order to avoid being killed by his fellow cohorts.

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6/10

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TMDB

7 years ago

8/10

Everybody's out for what they can get.

New York Confidential is directed by Russell Rouse and collectively written by Rouse, Jack Lait , Lee Mortimer and Clarence Greene. It stars Broderick Crawford, Richard Conte, Anne Bancroft, Marilyn Maxwell, J. Carrol Naish, Onslow Stevens, Barry Kelley and Mike Mazurki. Music is by Joseph Mullendore and cinematography by Eddie Fitzgerald.

The Kefauver Committee was set up at the beginning of the 1950s and its role was to investigate into the growing threat of organised crime. From this very real moment in time came a wave of films that jumped onto the possibilities on offer for dramatic filmic purpose, New York Confidential is one such picture.

In short order the plot has Crawford as New York Syndicate boss Charles Lupo, who borrows hit-man Nick Maggelan (Conte) from the Chigao branch to enact a hit. The pair quickly strike up a terrific relationship, but as problems within the Lupo home begin to mount up - and the heat starts to close in on the organisation - cracks begin to turn into chasms.

It says a lot about the efforts of the cast that this turns out to be better than it had right to be. The interesting slant here is the impact of family life on the main man. Lupo is a widower who still lives with his mother and daughter, he dotes on his mother and smothers his daughter Katherine (Bancroft) in what he thinks is fatherly love. She hates his criminal workings and rebels against it, something which Lupo can't quite understand. Thrust into the mix is Magellan, suave and good looking, he has tremendous loyalty to Lupo, so when Katherine grabs his eye he has to fight his feelings for her and his commitment to Lupo. Add in Lupo's sultry girlfriend Iris (Maxwell), who has no loyalty and wants to bed Magellan, then emotional conflict and tests of character are boldly prominent.

Beginning with shots of New York City and a narration telling us about how great and prosperous the city is, it is however the core of Synd...

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