Get Thrashed
Get Thrashed

Get Thrashed

2006 • 1h 40m • 7.0 Released

Get Thrashed traces the rise, fall and impact of thrash metal; from its early years, through its influence on grunge, nu metal and today's heavy metal scene. It is the story of the heaviest, hardest music of the 80s and early 90s as told by the bands who lived it, the fans and bands that grew up on it and by the artists that carry the "thrash metal" flag today.

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7/10

26 votes

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TMDB Reviews

TMDB

2 years ago

9/10

Dynamic documentary on the first 25 years of thrash metal

“Get Thrashed” does an excellent job detailing the history of thrash and other offshoots of metal up to the time of its release in 2006. Generally speaking, thrash combined the double bass drumming and complex guitar riffing of NWOBHM bands (including Priest and Maiden) and fused it with the aggression and speed of punk/hardcore along with the technicality of prog bands. The documentary relays all of this in a very energetic fashion, including references to the most prominent bands, along with myriad commentators.

“The Big Four” are, of course, noted at length, but myriad “second tier” bands are acknowledged, like Overkill, Death Angel, Forbidden, Sepultura, Hirax, Kreator, Sodom and Anvil. Hardcore bands are also recognized, like Cro-Mags, as well as the later bands that were heavily influenced by thrash. Of course, there are some omissions, such as Bathory (especially HAMMERHEART, not that early drek), but what’s packed-in here is very impressive and entertaining.

Sepultura is fittingly acknowledged and I'm glad that the Derrick Green/Andreas Kisser form of the band is interviewed twice because this is easily the best version of the group, as observed in excellent albums like NATION, A-LEX and MACHINE MESSIAH, et al.

The original drummer of Overkill, Rat Skates (who had a LOT to do with establishing the band up through their first two albums) was heavily involved in the behind-the-scenes production. Meanwhile singer Bobby Blitz Ellsworth appears frequently as a commentator. The original guitarist of their first four albums, Bobby Gustafson, also appears. (I, incidentally, thought Overkill improved after those albums, with excellent releases like THE KILLING KIND, FROM THE UNDERGROUND AND BELOW and KILLBOX 13, even I HEAR BLACK and WFO).

You’ll hear a relatively unknown song a couple of times with a chorus that goes “Thrash, thrash, thrash… Thrill, thrill, thrill… Mosh, mosh, mosh.” This...

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