Dillinger

Warren Oates walks like bank robber John Dillinger, he talks like Dillinger, he shoots like Dillinger, and he is one of the best things about "Dillinger." John Milius wrote and directed this 1973 action packed biopic about the infamous bank robber. It acknowledges Arthur Penn's "Bonnie and Clyde" a couple of times, but Milius' script is not as good as the eye-wow he shows us. The story may be familiar, it has been told on dozens of true crime documentaries. John Dillinger and his gang terrorized the Midwest with violent bank robberies. He was captured in Arizona, brought back to Indiana, and escaped from jail using a bar of soap carved into the shape of a gun and blackened with shoe polish. Hot on his trail was the FBI's Melvin Purvis (Ben Johnson), who made it his own personal vendetta to kill all of these criminals, smoking cigars over their dead bodies. The gang have their own loving bad girls to hunker down with, and Dillinger had prostitute Billie (Michelle Phillips). Dillinger was killed outside the Biograph Theater in Chicago while seen with the infamous lady in red, Anna Sage (Cloris Leachman).

While "Bonnie and Clyde" was a historic entry in the crime film genre, I thought the film makers in that situation glorified the duo a little too often. "Dillinger" does the opposite, making the bank robber as mean as we imagine he was. Milius' efforts to portray Dillinger as a villain backfire, since we see him in the couple of years before his death, never finding out how he got in to crime in the first place. His family is briefly shown, but nothing comes from the scene. Milius throws us into Dillinger's exploits immediately, but without any background, there is not sympathy, empathy, and eventually interest involved with the man. The beginning of the film is an exercise in choppy editing and stiff scenes until we get to the actions sequences. It makes me wonder what was left on the cutting room floor.

Ben Johnson plays a great Melvin Purvis, a wonderful char...