Purgatory

To think some of you used to be my heroes.

There quite often comes a time when a film fan who is so enamoured with a specific genre or style of film making, comes across a picture that one knows is far from perfect if deconstructed frame by frame, but still loves it with every breath they take. Purgatory is one such film for myself.

Purgatory, a TNT TV production, is that rare old beast of the Western fused with fantastical or supernatural elements. More often than not this is a blend that proved to be disastrous, hence why there are so few films of this type put into production here in the modern era. Yet director Uli Edel and producer Daniel Schneider pulled it off back in 1999, my only regret is that it took me so long to let it into my cinematic life.

The title is something of a give away, thus rendering the supposed twist as being hardly surprising. However, it was not the intention of the film makers to hoist a Sixth Sense surprise on us, really it wasn't. We are asked to put ourselves into the young Greenhorn shoes of Leon "Sonny" Miller (Brad Rowe) and experience his own coming of age awakening. From dime novels and hero worship to first kills and first loves, Sonny is our conduit and the key holder to the gates of redemption for many of the Wild West's legendary characters.

The cast is a veritable feast of splendid character actors playing a veritable feast of iconic real life people. Sam Shepard, Eric Roberts, Randy Quaid, Peter Stormare, Donnie Wahlberg and J.D. Souther. While Brad Fiedel provides a musical score of some magnificent beauty, a piece that revels in heroic swirls and escalating emotions, it darts around the town of "Refuge" like a novelist writing a dime novel soon to go down in folklore legend.

Budget restrictions are hidden very well, Edel and his cinematographer William Wages prove adept at lighting techniques and scene staging. Be it keeping things in the shade or cloaking a sequence with believable dust clouds, there's a...

Last chance for the marginally good plucked from the incorrigibly wicked

RELEASED TO TV IN 1999 and directed by Uli Edel, “Purgatory” chronicles events circa 1888 when a gang of outlaws led by Blackjack Britton (Eric Roberts) holds up in a mysterious hidden town called Refuge where the inhabitants seem overly gracious and pacifistic. Respectful greenhorn Sonny (Brad Rowe) increasingly suspects something strange is happening. Sam Shepard plays the Sheriff, Donnie Wahlberg his deputy, Randy Quaid the doctor and JD Souther a shop-owner. Amelia Heinle and Shannon Kenny are on hand in the feminine department.

Other than the action-packed opening, this is a town-bound Western. While you can pick-up the made-for-TV quality right away, the movie scores well in its intriguing premise and quality writing. There are fantastical elements akin to “Pale Rider” (1985) and “High Plains Drifter” (1973). The movie’s pretty much on par with the former and superior to the latter IMHO due to the more engaging story and weighty subtext.

THE FILM RUNS 1 hour, 34 minutes and was shot in Barstow and Burbank Studios, California. WRITER: Gordon T. Dawson.

GRADE: B

ADDITIONAL COMMENTARY SPOILER ALERT (Don’t read unless you’ve watched the movie).

Some viewers misunderstood the premise of the movie. The town of Refuge isn't just for outlaws; it's the "last chance" for the "marginally good," as phrased in the movie; it evens says something like the inhabitants were plucked from the incorrigibly wicked. As such, the citizens (not visitors) have different identities and occupations than in their former lives. For instance, Billy the Kid is now Deputy Glen, not a gunfighter; and Dolly Sloan is now Ivy, not a prostitute or suffragette. Holliday was now Doc Woods, an M.D. and not a dentist, who wasn't skinny because he no longer has tuberculosis.

Just the same, Jesses James was now a shop owner named Brooks and was no longer robbing trains. Some contend that James deserved i...