The Vanishing

FREEWILL to kill – evil and good

Released in 1993 and directed by George Sluizer from a novel by Tim Krabbé, "The Vanishing" is a crime drama/mystery/horror about a man (Kiefer Sutherland) whose girlfriend goes missing during a trip in Washington State (Sandra Bullock) and he searches in vain for her for years. After he starts a relationship with a new girlfriend (Nancy Travis), the abductor (Jeff Bridges) finally contacts him. Will he find his former girlfriend?

This is the second time the director shot this same story; the first time was the 1988 Euro film of the same name. The stories are identical except for the final acts and the fact that this newer version has a better character/part for the new girlfriend (Travis). Both films are worth catching, but I prefer this one for reasons explained below. Fans of the first movie object to the changes, arguing that the producers of this version were pandering to North American tastes. While this may be true, it's also likely that the director didn't want to make the same exact movie. After all, we already have the first version, why make an exact duplicate with different actors and locations? Besides, what's wrong with appreciating BOTH versions? My comments below reveal why Sluizer wanted to change things up a little with this version.

Audiences may have rejected the film at the box office on the grounds that they weren't used to Bridges playing a contemptible villain or Sutherland playing the good guy, but they're both fine in these roles, particularly the former, who's great and fascinating to observe. One thing that keeps you watching during the drama of the first two acts is to find out what his motivations are. But, as hinted above, it's Travis who steals the show, at least as far as protagonists goes. Perhaps audiences didn't receive her or the movie well because her character's merely a waitress whose story arc doesn't end in a reversal of fortune, which is in contrast to the typical movie heroin...