Personhood

At first, I thought the underlying message of Personhood (2025) was that only an “artificial person” — i.e., a very expensive sex doll — could love someone with scoliosis, but it’s okay because Gala (Agathe Levi) appears to attain sentience in the end, so she’s as much a person as you and I, sort of?

If so, the implication would be that for something possible to happen — a drop-dead gorgeous woman falling in love with a man with a curved spine — something impossible must happen first — a robot achieving humanity.

Writer-director Richard Jordan makes it look a lot less impossible by having a very human, very attractive actress play Gala. Rather than a machine becoming a person, we get a person pretending to be a machine and not really doing a good job of it.

According to IMDb, the film takes place in the “near future.” Too near, if you ask me. This same scenario, with the “technology” available today, would be much creepier. For starters, Gala would arrive in a box and require assembly instead of showing up at Waylen’s (Elliot Harris) door under her own power. Indeed, Waylen would have to charge her before first use, not unlike a cordless stick vacuum. Appearance-wise, Gala couldn’t pass for a human being any more than Levi can pass for an android.

It’s such a small leap to make that I feared Gala would turn out to have been human all along (as in Life Like). If anything, though, she proves to be more human than human. The climax involves Gala recognizing Waylen even though her memory has just been reset. However, the following morning, Gala leaves Waylen without so much as a good-bye note. To add insult to injury, she takes his dog and (presumably) his car. If she just went for a joyride, the film does not make that clear.

Maybe I was wrong and the true moral of the story is that no one at all could ever love a man with scoliosis. To be fair, for all of Waylen’s insistence that he wants her to disagree with him and have her own goals, he does have int...