The Last One for the Road

When a filmmaker’s reach exceeds his grasp, that’s when you end up with movies like this work of pretentious existential nonsense from writer-director Francesco Sossai. For roughly the first 45 minutes of this aimlessly meandering road trip/buddy flick, barflies Carlobianchi (Sergio Romano) and Doriano (Pierpaolo Capovilla) go in search of the evening’s “one last drink” at various roadside watering holes across northeastern Italy. They eventually set their sights on Venice, where they’re scheduled to meet their old friend and work colleague, Genio (Andrea Pennacchi), who’s flying in the following morning, returning to Italy after an extended self-imposed exile in Argentina. Along the way, the duo engages in a series of unfocused, largely pointless drinking-related encounters with assorted strangers, most notably a sheepish young architecture student, Giulio (Filippo Scotti), whom they take under their wing and adopt as a sort of reluctant hearty partying initiate. The trio thus continues on their inebriated merry way during which they seek out more wayward adventures, and, in the process, the ring leaders of this alcohol-soaked binge gradually share Genio’s story with their new pal, even though the details they provide remain somewhat sketchy, especially in terms of how they relate to the overall story. In essence, most of the rest of the narrative depicts Giulio’s emergence from his self-constructed shell in becoming “a man.” However, considering the questionable character of his decidedly disreputable role models, are they truly stand-up examples of something to which Guilio should aspire? Now, I have nothing against looking for a good time, but is their brand of drunken, unbridled hedonism something to emulate? By the time the end of this release finally rolls around, it’s easy to see how one might be ready to swear off drinking. Clearly, this offering doesn’t know what it’s trying to say, where it wants to go and how it’s seeking to get there. Much of the fault...