Soundtrack to a Coup d'Etat

This documentary is a serious testament to the archivist's art as it pieces together an impressive array of imagery of the great and the good of American Jazz and combines that with some intimate actuality of the turbulence ongoing in the Congo as it strived for independence. Why might anyone care about the future of an impoverished African nation that had all but bankrupted it's "owner" - King Leopold II of Belgium? Well that's because it holds enormous deposits of the uranium required by both the West and the Soviets - and that's just the start of it's reputedly $23 trillion worth of mineral assets. Emerging from the populace to lead this new country is Patrice Lumumba. He's an articulate man who unlike so many who took their nations out of colonial-hood, is not constantly bedecked in medals and ribbons with armed men at his back. What we see over the next couple of hours uses a superb musical soundtrack from the likes of Nina Simone, Louis Armstrong, Miles Davis - you name it, to provide a backdrop to CIA shenanigans, petulant strops from Nikita Khruschev, accusatory comments from just about everyone from Malcolm X to Fidel Castro and some extremely cynical insights into the Eisenhower presidency's approach to this man; to the problems he may bring or solve and to the precedents he was bound to set. As you'll expect, this freedom fight is tied-in closely with the fight for desegregation and equal/human rights for African American people and it uses that platform to illustrate just how ineffective the US-dominated United Nations was at brokering anything akin to a peaceable solution that was in anyway neutral or beneficial to the populace of this vast territory. The secession of Katanga - where the mining was at it's more lucrative and the privatisation of it's principal enterprise ensured that the West still pulled the strings, sets the tone for the final phase of the history and it's tragic conclusion. I knew some of this but I wasn't aware of just how exploitat...

Perhaps the most important objective of a documentary is to shed light on a subject and make it comprehensible and insightful for viewers, especially when it involves little-known material. However, when it comes to writer-director Johan Grimonprez’s latest offering, that goal is sorely compromised in multiple respects. The film examines (or, more precisely, attempts to examine) the complex history of the Congo’s struggle for independence from its Belgian colonial masters and the emergence of Prime Minister Patrice Lumumba as a global influencer in the 1950s and early 1960s. The fledgling, resource-rich nation became a flashpoint in international politics on various fronts, including the Cold War between East and West, the rise of the pan-African movement, the ongoing decline of colonial imperialism and the role of the United Nations in global affairs. Its impact also extended into American politics, particularly the birth and growth of the civil rights movement and its impact on leaders like Malcolm X, as well as the Eisenhower Administration’s veiled efforts at protecting the status quo, especially through seemingly benign cultural programs like goodwill exchanges involving popular Black jazz musicians. Many threads are thus involved in telling this tale, but, regrettably, they’re not coherently managed, particularly in the picture’s opening hour (of a surprisingly and arguably somewhat needlessly overlong 2:30:00 runtime). The filmmaker throws a lot of widely diverse material at his audience without coherent, meaningful explanation, and much of that involves reading a series of cryptic screen graphics that fly by hastily with little elaboration, a process that quickly becomes aggravating, frustrating and tiresome, even for the most adept subtitle readers. Then there’s the jazz aspect of this release, whose connection to the narrative isn’t always made clear or relevant, despite its addition of an element of artistic flair. However, these performance sequences – a...